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  • Catalogue 205

TEFAF - Ancient Art

Open a larger version of the following image in a popup: Roman head of a helmeted soldier, Italy, c.2nd-3rd century AD
Open a larger version of the following image in a popup: Roman head of a helmeted soldier, Italy, c.2nd-3rd century AD
Open a larger version of the following image in a popup: Roman head of a helmeted soldier, Italy, c.2nd-3rd century AD
Open a larger version of the following image in a popup: Roman head of a helmeted soldier, Italy, c.2nd-3rd century AD
Roman head of a helmeted soldier, Italy, c.2nd-3rd century AD
Marble
Height: 15cm
11758
€ 9,800
Enquire
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Further images

  • (View a larger image of thumbnail 1) Roman head of a helmeted soldier, Italy, c.2nd-3rd century AD
  • (View a larger image of thumbnail 2) Roman head of a helmeted soldier, Italy, c.2nd-3rd century AD
  • (View a larger image of thumbnail 3) Roman head of a helmeted soldier, Italy, c.2nd-3rd century AD
  • (View a larger image of thumbnail 4) Roman head of a helmeted soldier, Italy, c.2nd-3rd century AD
Carved in profile, this marble fragment, originally part of a larger monument such as a triumphal column or perhaps a sarcophagus, depicts the head of a Roman soldier, intended to...
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Carved in profile, this marble fragment, originally part of a larger monument such as a triumphal column or perhaps a sarcophagus, depicts the head of a Roman soldier, intended to be viewed from the true left side. The true right side remains unfinished, particularly around the area of the ear and the right cheek piece of the helmet, suggesting it was not meant to be fully visible. The soldier’s features are rendered with a high degree of realism, including a finely detailed beard. His helmet features a cheek piece, neck guard, and visor, and is adorned with a ram’s head in profile. At the top of the helmet are the remains of what may have been a crest, plume, or possibly a structural strut used for support. The fragment has losses to the left eyebrow, ear, and nose, along with minor scattered chips to the surface.




This head likely belonged to a larger sculptural composition, such as a sarcophagus relief or a panel from a triumphal arch — monuments often erected to commemorate Roman military victories. The Romans introduced two key architectural forms for such commemorations: the triumphal arch and the commemorative column. While columns were exclusive to Rome (and later, Constantinople), triumphal arches were built throughout Italy and the provinces, typically adorned with reliefs showing Roman soldiers in various scenes of combat, triumph, or ceremonial procession. This fragment may have originated from one such relief. Sculptures like this offer valuable insights into Roman military attire, equipment, and the Empire’s visual culture, blending realism with idealised forms to convey Rome's strength and authority.

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Provenance

Baron J. von Nagel, The Schallenburg, Austria; prior to WWII, thence moved to Münsterland, Germany
Sophie von Nagel, London, UK; gifted from the above and brought to the UK 1971-1973

Literature

Compare the scenes of the Aurelian Column, published in Michel Feugère, Weapons of the Romans (Paris, 1993), p.99, fig.120. Compare an example in low relief in the British Museum, London, object number 1951,0306.1. Also compare Jan Stubbe Østergaard, Catalogue: Imperial Rome (Ny Carlsberg Glyptotek, 1996), no.61
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