Doris Ulmann (1882–1934) was an American photographer whose career bridged pictorialist portraiture and documentary work, best remembered for her compassionate images of Appalachian craftsmen, musicians, and Gullah communities in the American South. Trained at the Clarence H. White School of Modern Photography, Ulmann began by photographing prominent cultural figures—including William Butler Yeats, Martha Graham, and Paul Robeson—before turning her lens in the late 1920s toward rural communities, capturing their traditions with both aesthetic sensitivity and ethnographic rigour. Her collaborations included Roll, Jordan, Roll (1933) with writer Julia Peterkin and contributions to Allen H. Eaton’s Handicrafts of the Southern Highlands (1937), for which she created some of her most enduring images. Working primarily with platinum and silver gelatin prints, Ulmann emphasised the expressive power of lived experience etched into her sitters’ faces. Though her life was cut short in 1934, the Doris Ulmann Foundation preserved more than 10,000 of her negatives, ensuring her legacy as a vital documentarian of early 20th-century American folk culture.
Doris Ulmann
Church group in white robes, c.1920s
Platinum print
20.5 x 15.5cm (mounted on 21.4 x 16.4 cm paper)
11839 C TA
£ 10,500
Doris Ulmann (1882–1934) was an American photographer whose career bridged pictorialist portraiture and documentary work, best remembered for her compassionate images of Appalachian craftsmen, musicians, and Gullah communities in the...
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