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Photography

Open a larger version of the following image in a popup: Alphonse Davanne, Man painting en plein air, Menton, Southern France, c.1860-1861
Open a larger version of the following image in a popup: Alphonse Davanne, Man painting en plein air, Menton, Southern France, c.1860-1861
Alphonse Davanne
Man painting en plein air, Menton, Southern France, c.1860-1861
Albumen print from a glass negative, laid down to artist's original mount
The print: 23.6 x 30.7 cm
11843 C
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Further images

  • (View a larger image of thumbnail 1) Alphonse Davanne, Man painting en plein air, Menton, Southern France, c.1860-1861
  • (View a larger image of thumbnail 2) Alphonse Davanne, Man painting en plein air, Menton, Southern France, c.1860-1861
This photographic print is exceptionally rare, with another version held in the Archives Communales de Grasse, France, under the title Le peintre à l'ombrelle, Menton. Davanne's photograph is not only...
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This photographic print is exceptionally rare, with another version held in the Archives Communales de Grasse, France, under the title Le peintre à l'ombrelle, Menton. Davanne's photograph is not only scarce but also arguably one of the earliest photographic depictions of an artist painting en plein air.


Louis Alphonse Davanne (1824–1912) was a French chemist, teacher, inventor, and early photographer, as well as a co-founder of the Société française de photographie in 1854. Trained as a chemist, Davanne initially taught workers before dedicating himself, from 1852 onward, to the study and improvement of photographic processes, the preservation of photographic prints, and the invention of new photographic equipment. His research spanned 50 years, making him a key figure in the photographic world. Throughout his life, Davanne was a communicator and educator, effectively pioneering photography education in France.


In 1854, Davanne co-founded the Société française de photographie. Collaborating with Aimé Girard, he researched photographic print preservation until 1863, leading to a positive-printing process. He refined photolithography techniques using bitumen of Judea and was a pioneer alongside Édouard Baldus, Roger Fenton, and Henri Le Secq. He twice won the Duc de Luynes Prize for his contributions.


During the 1860s, Davanne traveled through Normandy and the Bay of the Somme, photographing cities such as Tréport, Le Havre, Dieppe, and Trouville, followed by Provence the next year. His photographs of Menton illustrated Alphonse de Longperier-Grimoard’s book L’Hiver à Menton (1862).



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Provenance

Private collection, UK, until 2024
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