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Greek and Roman

Open a larger version of the following image in a popup: Roman cornice fragment, 1st-2nd century AD
Open a larger version of the following image in a popup: Roman cornice fragment, 1st-2nd century AD
Open a larger version of the following image in a popup: Roman cornice fragment, 1st-2nd century AD
Open a larger version of the following image in a popup: Roman cornice fragment, 1st-2nd century AD
Open a larger version of the following image in a popup: Roman cornice fragment, 1st-2nd century AD
Open a larger version of the following image in a popup: Roman cornice fragment, 1st-2nd century AD
Roman cornice fragment, 1st-2nd century AD
Marble
Dimensions: 28 x 64cm
11777 IVP
£ 24,000
Enquire
%3Cdiv%20class%3D%22title_and_year%22%3E%3Cem%3ERoman%20cornice%20fragment%3C/em%3E%2C%20%3Cspan%20class%3D%22title_and_year_year%22%3E1st-2nd%20century%20AD%3C/span%3E%3C/div%3E%3Cdiv%20class%3D%22medium%22%3EMarble%3C/div%3E%3Cdiv%20class%3D%22dimensions%22%3EDimensions%3A%2028%20x%2064cm%3C/div%3E%3Cdiv%20class%3D%22price%22%3E%C2%A3%2024%2C000%3C/div%3E

Further images

  • (View a larger image of thumbnail 1) Roman cornice fragment, 1st-2nd century AD
  • (View a larger image of thumbnail 2) Roman cornice fragment, 1st-2nd century AD
  • (View a larger image of thumbnail 3) Roman cornice fragment, 1st-2nd century AD
  • (View a larger image of thumbnail 4) Roman cornice fragment, 1st-2nd century AD
  • (View a larger image of thumbnail 5) Roman cornice fragment, 1st-2nd century AD
  • (View a larger image of thumbnail 6) Roman cornice fragment, 1st-2nd century AD
A projecting triangular cornice element, originally forming part of a building's entablature. The face features five decorative registers: the lowest is rough-hewn, followed by a band of egg-and-dart ornamentation. Above...
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A projecting triangular cornice element, originally forming part of a building's entablature. The face features five decorative registers: the lowest is rough-hewn, followed by a band of egg-and-dart ornamentation. Above this, a single step leads to a row of acanthus leaf carvings, topped by a register of arches. Finally, separated by two steps, the uppermost register displays a lamb's tongue motif. The sides and back remain rough-hewn, while the lower edge is partially finished and polished.
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Provenance

Private collection, Spain; acquired in Seville 10th October 1966
Galerie Piatti, Paris, France

Literature

Compare Thorston Opper, Hadrian: Empire and Conflict (London, 2008), fig.204
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