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Open a larger version of the following image in a popup: Egyptian sculptor's trial piece of a kneeling pharaoh, Ptolemaic Period, c.334-30 BC
Open a larger version of the following image in a popup: Egyptian sculptor's trial piece of a kneeling pharaoh, Ptolemaic Period, c.334-30 BC
Open a larger version of the following image in a popup: Egyptian sculptor's trial piece of a kneeling pharaoh, Ptolemaic Period, c.334-30 BC
Egyptian sculptor's trial piece of a kneeling pharaoh, Ptolemaic Period, c.334-30 BC
Limestone
Height: 14cm, width: 12cm
10916
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Further images

  • (View a larger image of thumbnail 1) Egyptian sculptor's trial piece of a kneeling pharaoh, Ptolemaic Period, c.334-30 BC
  • (View a larger image of thumbnail 2) Egyptian sculptor's trial piece of a kneeling pharaoh, Ptolemaic Period, c.334-30 BC
  • (View a larger image of thumbnail 3) Egyptian sculptor's trial piece of a kneeling pharaoh, Ptolemaic Period, c.334-30 BC
Finely carved in shallow relief, a Pharaoh is shown facing right and kneeling on a base line, his left knee raised as he offers two spherical jars in uplifted hands,...
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Finely carved in shallow relief, a Pharaoh is shown facing right and kneeling on a base line, his left knee raised as he offers two spherical jars in uplifted hands, the elegant fingers curling backwards towards the tips. He wears a knee-length belted kilt, the blue crown with uraeus, and a broad collar. Recomposed from three pieces, broken horizontally across the waist, and diagonally behind the face where the crown meets. The surface with dendritic staining, some chips and scratches, the edges damaged.

The jars which the pharaoh holds are in themselves an ideogram for offering incense to the gods, and are hieroglyphically known as ‘nw’ jars.
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Provenance

Adolphe Stoclet (1871-1949), Brussels, Belgium
Mr. D. Féron-Stoclet; by descent from the above, his grandfather Private collection; acquired May 2003


Adolphe Stoclet belonged to a generation of great collectors at the beginning of the 20th century, eruditely pursuing works of art from the earliest civilisations of China, the Near East and Egypt, as well as Europe post antiquity, and Pre-Columbian America. The Belgian industrialist and his wife Suzanne Stoclet-Stevens, niece of the painter Alfred Stevens, gave the Viennese architect Joseph Hoffman his first important commission in 1905, to build what today is now considered one of the foremost Art Deco period buildings. It housed their collection, which was already considered one of the most important of its time. After their deaths a small portion was published by Georges A. Salles, director of the French national museums, and the pieces were divided amongst their children and grandchildren.

Literature

Compare George Steindorff, Catalogue of the Egyptian Sculpture in the Walters Art Gallery (Baltimore, 1946), pl.LXI, no.326A

Publications

H. Frankfort, ‘Egyptische Beeldhouwwerken uit de Verzameling A. Stoclet te Brussel’, Maandblad voor Beeldende Kunsten, VII Jaargang, no.3, March 1930 (Amsterdam, 1930), S.88, abb.25

J. P. van Goidsenhoven with an introduction by Georges A. Salles and a foreword by Daisy Lion-Goldschmidt, Adolphe Stoclet Collection (Brussels, 1956), S.240

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